Rogue One: A Star Wars StoryBookmark and Share

Thursday, 5 January 2017 - Reviewed by Martin Hudecek
Rogue One: A Star Wars Story (Poster) (Credit: Lucasfilm)

STARRING - Felicity Jones: 'Jyn Erso',
Diego Luna: 'Cassian Andor', Alan Tudyk: 'K-2SO',
Donnie Yen: 'Chirrut Imweƒ', Wen Jiang: 'Baze Malbus',
Riz Ahmed : 'Bodhi Rook', + Ben Mendelsohn : 'Orson Krennic'

WITH - Mads Mikkelsen: 'Galen Erso', Jimmy Smits: 'Bail Organa', Alistair Petrie : 'General Draven',
Genevieve O'Reilly: 'Mon Mothma', Guy Henry: 'Governor Tarkin'
+ Daniel Naprous/ James Earl Jones: Darth Vader

AND Forest Whitaker: 'Saw Gerrera'


 Music By: Michael Giacchino, 
       
                Screenplay: Chris Weitz  + Tony Gilroy,

     Story By: John Knoll + Gary Whitta,

  Based On Characters Created By: George Lucas,

         Directed By: Gareth Edwards 
 



Released: December 2016 by Disney/ Lucasfilms

 

Please Take Care As Significant Spoilers Are Featured:


This prequel to Episode IV of the saga centres on Jyn Erso (Jones). As a child, she lives with both her parents in a small rural residence, on the planet Lah'mu. Then Imperial forces, led by Orson Krennic (Mendelsohn), demand that her father Galen (Mikkelsen) resumes his duties as a top engineer. In the struggle, Jyn's mother is gunned down, but the little girl manages to escape. She eventually is rescued by Gerrera (Whitaker), an extremist militant. As she grows up, Jyn learns many combat skills, and develops a heavy edge of cynicism, in no small part due to being abandoned by Gerrera, when he has to make a choice for 'the greater good'.

In the meantime, Galen begrudgingly helps the Empire with work for the Death Star, overseen by both Krennic and Grand Moff Tarkin, with powerful Sith Lord Vader lurking in the shadows.

As an adult Jyn is accosted by rebel agent Cassian Andor (Luna), and a struggle begins to take advantage of Galen's deliberate design of a small flaw, that can allow the lethal battle station to be destroyed. Along the way a tactless droid called K-2SO (Tudyk) lends his strength and skills, as do some human fighters, including a renegade imperial pilot (Ahmed), a blind monk with some Force powers (Yen) and a bearded strongman (Jiang).

Eventually a tumultuous struggle will occur on planet Scarif, where the forces of the Empire are amassed in great number. Yet, even with a Rebel fleet hovering in space above, this may turn out to be one gambit too far, and the Death Star plans may remain suppressed.


The second film under the helm of Disney interests, in that its climax is inevitable for anyone familiar with the classic original film that first introduced the world to Star Wars. Yet it is no less involving, as the sequence of events presented do ultimately tie in with the victory of the Rebellion, over the forces of the supremely confident (but fallible) Tarkin.

The main protagonists are a lot more flawed, and decidedly less charming than those from the various (completed and in-progress) trilogies. This is a brave move, and helps sell the darkest slice of cinematic Star Wars to date. The downside is there is a lack of charisma in general, and dialogue - often a hindrance in these movies - is particularly unmemorable. The back stories, apart from Jyn's, are also very rudimentary. Thus the film has a challenge in making cinema-goers care about the Rogue One team's fates.

The chief villain, Krennic, is despicable and we do very much wish his comeuppance. He however is - perhaps deliberately - far from scary, being more a creepy and grubby person, who is out for his own glory. There is that classic visual motif of an impeccable uniform, and a cape that swirls around him, as he marches onto his next agenda item.

Rather dramatically, Krennic dares to cross Tarkin, seeing him as someone in higher authority for the present moment. Later on he is rather more obsequious to Vader. In the end though he does  indeed "choke" on his "aspirations".

Director Orson Krennic (Credit: Lucasfilm; Starwars.com)

 It is good to have Vader in brief scenes spread across the narrative, and the classic movie villain has  great presence and the trademark sardonic wit. However it is also a little disconcerting to see yet  another face-mask reimagining, as well as a performance from James Earl Jones that feels strangely  off. The link between the suit/voice, and the Vader in A New Hope, is thus not quite what it should be.

 For me the key scene-stealer was K-2SO, (who vaguely resembles the creepy EV-9D9, from Jabba's  Palace, in Return Of The Jedi), but is programmed to aid the Rebellion. He does have perhaps rather  arch humour at times, but it usually works as light relief in such a generally grim story. (Despite its  intentions, Revenge Of The Sith did have both intentionally and unintentionally funny sections.)

 I did find the film a bit inconsistent in keeping my interest throughout the two hours-plus duration. This  was despite there being plenty of potential in the premise of the movie. Some of the plot threads do not  quite feel relevant enough, and the sense of both re-writes and re-shoots is inescapable.

Whilst more original in story terms than The Force Awakens, a lot of the highlights do feel deliberately included as crowd-pleasing moments, and for Star Wars fans in particular. Although I enjoyed the thread with Tarkin, it was rather unnecessary to give (an admittedly solid) CGI effect/actor quite so much screen time. Maybe another character linked to the Death Star, who was not quite as iconic as the one played by the late Peter Cushing, would have been a better choice.

Perhaps the difficulty securing John Williams hurts the film, somewhat too. However the legendary composer is rather elderly now, and cannot produce the amazing quantity of soundtracks that he once could. The actual music score was completed in a matter of weeks, but on its own terms is decent enough. Also jarring is the lack of an opening crawl, alongside a subdued appearance for the Rogue One title caption.


The human resistance fighters of 'Rogue One' (Credit: Photo by Jonathan Olley and Leah Evans - 2015 - Lucasfilm Ltd. All Rights Reserved.)The very most accomplished actors - Forest Whitaker and Mads Mikkelsen - are somewhat underused. All the same, what little screen time they do have is certainly worthy material. Felicity Jones was a perfect casting choice in The Theory Of Everything, but perhaps any number of actors could have done an equal job, even a superior one, for this rather more venomous heroine. Luna is more than convincing as a morally grey and ruthless agent, but I never quite felt the inner turmoil that someone facing so many difficult choices would have to contend with. The supporting players, however, are great fun - in particular Tudyk, who provided a (now genre standard) motion-capture performance.

One thing is for certain, and that is how expensive-looking and polished the production comes across, with many stunning SFX shots. There is a plethora of detail, and this truly is a proper war film. Of course it is also less gory than some, so as to enable a huge turnout at the box office.

Almost every single battle, of which there are many, is utterly stunning. Both the close-up, hand-held shots of action, and the more traditional, vast space opera sections (ideal for big screens and IMAX) stand up as well as anything in the war or sci-fi film genres.

The final sequences, with Vader totally impervious to an onslaught of Rebel fighters' blaster fire, and slashing with his ruby-red lightsaber, are some of the best moments of any blockbuster film in recent memory. These fleeting seconds also help amp-up the tension over whether the Death Star plans will make it into Rebel hands.

At the time of writing, the tragic death of Carrie Fisher at age sixty in our home Earth dimension, means that the cameo digital recreation of Leia feels bittersweet, rather than the resounding counter to the downbeat final reel that Edwards and his team clearly intended.


This is a very enjoyable film on some levels. It ties in with the timeless 1977 film undeniably well. But something is missing and most of the main character's fates just do not resonate as they might do, when all the stars are in alignment. There is the disadvantage of this being a one-off, whereas the much-anticipated 'young' Han Solo movies will be able to take a bit more time. But ultimately this film was made to be seen on the big screen, and for some that includes 3D or IMAX variants, and it does enough good things to more than justify the massive amount of money Disney has put into it.

The force is strong enough with this one, but it sits firmly in the middle of the pack of (ever growing) entries in the saga.


Final Score: Three Lightsabers Out Of Five