ritten by Jonathan Morris, Simon Clark,
Andrew Smith, Matt Fitton
Directed by Ken Bentley
Cast: Carolyn Seymour (Abby Grant), Richard Heffer (Jimmy Garland), Chase Masterson (Maddie Price), John Banks (Daniel Conner), Fiona Sheehan (Molly), Andrew French (Dalton Roberts), Paul Thornley (John Vincent), Damian Lynch (Marcus), Miranda Raison (Janet), Lisa Bowerman (Gloria), Christopher Hatherall (Tyler), James Joyce (Jonathon), Louisa Clein (Pam), John Voce (Walter)
Big Finish Productions – Released November 2015
Big Finish’s acclaimed continuation and expansion of the original 1970s TV version of Survivors
continues with another excellent set of four interlinked stories, although listeners should be warned that the darker adult tone established in the first two series does not let up here. Once again, the action is moved away from the rural setting of many of the TV episodes with the audio medium being put to full advantage through the use of a range of settings from a cross-channel ferry through to the Post-Office Tower in Central London amongst others.
The opening episode, Cabin Fever, consists mostly of flashbacks as Jonathon Morris delves into the back story of Molly played by Fiona Sheehan, probably the most interesting of the new characters created for the audio series. Revisiting the horror of the outbreak of the deadly virus proves just as effective as it did in series one, it also serves to introduce the cruel character of John ‘Vinny’ Vincent, and his group of mercenary thugs who call themselves “the British government” (the irony of listening to this against the backdrop of current events was not lost), whose story runs throughout this box set, and is excellently portrayed by Paul Thornley. His chilling charisma gives The Archers’ notorious manipulative bully Rob Titchener a run for his money. The episode concludes with a shock twist that makes listeners realise that Vinny is not to be messed with.
The second episode, Contact, is written by Simon Clark who is the author of Night of the Triffids, the sequel Wyndham’s post-apocalyptic classic and therefore he feels very much at home writing for this series. This episode reintroduces Chase Masterson as Maddie Price, the American Lawyer from the first audio series who ended up stranded in the UK following the virus outbreak. This reviewer confesses that he may have been rather hard on her character in his review of that series as she seems a lot more agreeable in this box set. The story also marks the return of another original TV character Jimmy Garland as played by Richard Heffer, who slots back into his old role effortlessly after forty years.
The action of Contact segues almost seamlessly into regular Big Finish scribe Andrew Smith’s episode Rescue which sees Jimmy reunited with the only other original TV series character to feature in this box set, Abby Grant, once again effortlessly reprised by Carolyn Seymour who is fast becoming a Big Finish regular thanks to several appearances in their Doctor Who range. The rescue which the episode title refers to is not without cost as Vinny claims another victim and the scene is set for a serious reckoning.
Leaving by Matt Fitton who also script edits the series is a suitably epic finale, whilst one character does indeed achieve their ambition of being able to sail off into the unknown (albeit with a pleasing hint in the behind the scenes interviews that we may not have heard the last of them), the final confrontation is not without cost and one of the most likeable of the new characters created for this audio series is forced to make the ultimate sacrifice. This reviewer is still in two minds (as it seems was producer David Richardson) as to whether the right choice was made to kill off a character which a large swath of the audience would have identified with but in the final analysis this is a dystopian future in which survival is not guaranteed for anyone, and at least they get to go out in a blaze of glory.
To reiterate my introduction, this is an excellent third box set even despite the shocks there is still some hope left at the end. Listeners can only hope that the chances of a future coming to pass where a right wing group such as Vinny’s “British Government” might wreak havoc over a decimated country are a lot less likely than they might have been forty years ago. However, there is a worryingly believable quality to the story and in particular to the performances of the more extreme characters. It is a sign of the audio series’ strength that despite only two of the original TV cast appearing, one of whom was not even a series regular, this reviewer is still eager for more.